This is from an advertising booklet for a paint company. It features what you might call the Australian version of “mid-century modest“, those post-war red brick or weatherboard homes that have an unfortunate tendency these days to be demolished and have an unpleasant McMansion replace them.

Herre’s a sitting room with the ever-popular Venetian blinds, in red; barkcloth curtains; Fler or Snelling style chairs, sofa and desk; Feltex carpet, and what might be an Albert Namatjira watercolour print on the wall.

A bedroom, with the very popular skirted bedspread; teak bed head; more of that deep green Feltex; and another Fler or Snelling type chair.

What’s that on the floor? Why, it’s more dark green Feltex! That stuff was everywhere. Some more of those chairs too, and a matching coffee table on what looks like a chenille rug. Seems it was fairly popular to have a mix of modern and antique style furniture and homewares, there are lots of pictures in my vintage home magazines of rooms like this. Is that a Renoir print hanging on the wall?

Tiki time! Cane furniture with a bamboo or palm frond print upholstery,  yellow Venetians and ceiling with dark turquoise walls. I like the rug, and I love the ‘crazy paving’ fireplace.

I’ve bought heaps of glassware, which I’ll photograph later, but these are some of my favourites from the past few weeks:

Found at Salvos in Fyshwick, a Danish-style mid-century modern chest of drawers. It’s got solid teak trim and handles, and an unusual plywood veneer. One of the drawers is stamped inside with “Gainsborough” and the company address in Melbourne. Needs a bit of cleaning up, but it’s still very nice! I put some felt under the TV so it won’t cause any damage. The little vase on the left was a Trash and Treasure find – the lady I bought it from reckoned it was an unmarked Diana factory second (there’s a little bit of the glaze missing). Either way, it’s pretty.

I also got these excellent dishes:

One was from Vinnies in Dickson, and the other from Vinnies in Queanbeyan. Nice weighty ceramic, signed “CT” on the bottom. I’m not really a pottery/ceramics person, so I have no idea who CT could be. If anyone knows, please tell! There are pictures of dishes like these in some of my mid-50s home decorating magazines. They’re in great condition, they look like they’ve sat in somebody’s display unit for the past 40,50, 60? years.

Here’s a pretty twin set from My Home magazine’s 1955 Christmas edition. My Home was a British publication “for women who love their home”. I’ve compiled the pattern into a PDF to download.

Knitting pattern – 3.5mb PDF

Harps aren’t furniture, they’re there to be played. But like pipe organs and harpsichords, there is a tradition of harps being decorative as well as incredible instruments. Marie Antoinette made the harp popular as a pastime for ladies, and this is what they were like back then:

Those harps are only about 155cm/5′ tall and quite light. Over the years, harps got bigger and more complicated to play, it was more difficult for a young lady to become accomplished, and so the piano soon took pride of place in the parlour. Harps remained quite ornamented, but change came. First, there was the art deco styling of the Lyon and  Healy Salzedo model, introduced in 1928, designed by Witold Gordon in collaboration with the great harpist Carlos Salzedo.

And then, in 1957, this harp by German harpmakers Thurau, won a prize at the Trienniale di Milano. It was designed by Rainer Schütze, who was schooled in the Bauhaus way:

And Lyon & Healy introduced this harp, the Style 30, in 1958:

And not modernist, but you could say it’s either an interesting break with tradition, or it’s really going back to the idea of the harp as decorative sculpture; the Scolpita by Italian harpmakers Salvi:

Of course this post is just about how the harps look. If you want to know more about pedal harp construction and how they work, there’s a good introductory article at Harp Spectrum. Folk/Celtic/lever harps have their own story which I may do a post about later! And if you’re looking for harps and harp accessories, music, lessons, etc in Canberra? Head to the Harp Centre.

In my large pile of vintage home and fashion magazines, which I am slowly scanning my way through, there is this:

A March 1955 special feature on Canberra. Canberra was a relatively new city, and after WWII, modern architecture sprang up everywhere alongside the original Californian bungalows and (almost Arts and Crafts) cottages. There are many excellent examples, and the best place to read about them is the Canberra House blog. One of these excellent houses is actually up for sale: an Alex Jelinek house at 10 Gawler St, Deakin. It comes with its custom made Krimper furniture! Price is ‘by negotiation’. Canberra prices are pretty outrageous even for ordinary houses, but if I was the kind of person who had a lot of money to spend on a house, I’d be up for this one. Looking at the pictures, I wonder if those are the original bathrooms. The fittings look kind of 1978 and out-of-place.

Anyway, the Home Beautiful feature has sections on public architecture, such as at ANU; private homes, including floor plans and interiors; and local craftspeople making pottery and furniture. I’ve put it all into a PDF for download, it’s 30MB: Home Beautiful Goes to Canberra – March 1955.